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Cedar
Smoke on Abalone Mountain
By
Norla Chee, 2001.
This
collection of thirty-seven poems seamlessly weaves
the spiritual with the daily and the present
with the past. Chee’s poetry as song and story
is a mix of Navajo, which is her cultural heritage,
and the “Other,” as indicated by non-Navajo
customs, ideas, and experiences. She utilizes this
comparison to bring about a fuller and richer dimension
of cultural vitality and an appreciation of different
cultural legacies in vigorous relationship with each
other.
49
pp.
$12
paper; ISBN 978-0-935626-55-7
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Comeuppance
at Kicking Horse Casino and Other Stories
By
Charles Brashear, 2000.
Brashear's
collection of short stories addresses American
Indian-white contact throughout the history
of North America. Several of the stories involve
mixed bloods, products of Indian-white marriages,
a situation that nearly always generates divided
loyalties and identity crises. Each story highlights
an individual’s quandary—and often alienation—in
negotiating and adapting to a face-to-face encounter
with whites.
200
pp.
$15
paper; ISBN 978-0-935626-51-4
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The
Light on the Tent Wall: A Bridging
By
Mary TallMountain, 1990.
Mary
TallMountain is a Native writer whose "lantern
voices seek to lead us out of the given darkness," and "her
work, like seasoned oak, is full of heat and fire,
simplicity and compassion," writes poet and
scholar Alfred Robinson. The poems in this collection
confront death and engage the sacred. Joy Harjo calls
each poem "a track, and the series of tracks
makes a bridge back to the 'light on the tent wall,'
which is the sacred place of the songs, the stories
that created us."
96
pp.
$12.00
paper; ISBN 978-0-935626-34-4
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Migration
Tears
By
Michael Kabotie (Lomawywesa), 1987.
Michael Kabotie or Lomawywesa, son of the artist
Fred Kabotie, was born in 1942 at Shungopavi. He
is of the Hopi Sinnum, Water/Snow clan, and he is
a painter, lithographer, serigrapher, goldsmith and
silversmith. In this book of poetry he recreates
Hopi traditions for modern Indians in bold, traditional
strokes.
54
pp.
$10.00
paper; ISBN 978-0-935626-32-8
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Old
Shirts & New Skins
By
Sherman Alexie, 1993.
Sherman Alexie's poetic power renders an honest and
painful perception of contemporary Native American
life. In this collection, Alexie, a poet of the Coeur
d'Alene people, speaks for the spirit of Native American
resistance, determination, and sovereignty, compelling
readers to confront reality with his honest and inspiring
vision. Remarkable in its candor and gracefully constructed,
this collection of poems binds us to the present
and, at the same time, connects us to the voices
of the past.
94
pp.
$12.00
paper; ISBN 978-0-935626-36-0
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Songs
from an Outcast
By
John E. Smelcer, 2000.
In these poems, written in the Ahtna
language and then rendered into memorable English,
John Smelcer
conveys a strong sense of his ancestry (Cherokee/Ahtna),
what poet Denise Levertov calls "his constant
haunting awareness of indigenous life so grievously
wounded yet still alive." Smelcer speaks from
the Alaskan landscape, for the land, and for the
people that belong to it. Smelcer has steeped himself
and his poetry in his Ahtna traditions of language
and ritual. As a result, his writing, with remarkable
strength, succeeds in bridging his Native and English
worlds.
95
pp.
$12
paper; ISBN 978-0-935626-45-X
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